Simiolus has become a journal of record for studies in Netherlandish art. Over the past decades, we have had the privilege of publishing many of the most influential and exciting papers in the field, and our ambition to continue doing so remains undiminished.
We are therefore interested in all original contributions on the history of Dutch and Flemish art especially, and if accepted, offer to pay for the cost of translation into English of manuscripts submitted in Dutch, German or French.
Articles in the current issue (vol. 39-4)
The woodworker and the Redemption: the right shutter of the Merode triptych
Imagining Hieronymus Bosch in colonial Peru: foreign sources, indigenous responses
Daan van Heesch
Baglione on Flemish diligenza and the Italian maniera pittoresca in landscape and still life
The bad bat: on two painted fables by Pieter Boel in Frankfurt am Main and Munich
Jan Steen’s history paintings and Dutch art theory: comments and corrections by Gerard de Lairesse
Rosalie van Gulick
A nocturnal odalisque: Picasso’s Nude in front of a garden at the Stedelijk Museum, Amsterdam
Jan van Adrichem
Book review – Vermeer and the masters of genre painting
Book review – De l’expertise artistique à la vulgarisation au siècle des Lumières: Jean-Baptiste Descamps
Everhard Korthals Altes