In the upcoming issue of Simiolus, Bernhard Ridderbos discloses the provenance of the famous Flémalle panels in Frankfurt, Suzanne Laemers recounts the spectacular acquisition of Hugo van der Goes’s Monforte Altarpiece by the Gemäldegalerie in Berlin in the early twentieth century, and Frits Scholten analyses sculptor Gerard van Opstal’s work and career in Paris, publishing his full estate inventory in an appendix.
Jan van Adrichem discusses the bold collecting of Barnett Newman’s work by the Stedelijk Museum in Amsterdam, and Steven Jacobs dives into Raoul de Keyser’s major exhibition in Groningen in 1970. Finally, Catherine Powell-Warren reviews The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic by Stijn Bussels and Bram Van Oostveldt.
Articles in the current issue (46-1)
The Blessed Albergati
Stephan Kemperdick
Newly Discovered Archival Documents About Michiel Sweerts in Brussels in the 1650s: His House, His Social Network and His Encounter with Ghosts
Harald Deceulaer
César Domela, Hilla Rebay and Solomon R. Guggenheim’s Temple of Spirituality
Ankie de Jongh-Vermeulen
Self-Portrait with Black Headband (1937) by Pyke Koch: A Biographical Interpretation
Susana Puente Matos
Review of Walter S. Melion, Karel van Mander and His Foundation of the Noble, Free Art of Painting: First English Translation with Introduction and Commentary
Boudewijn Bakker
Review of Aaron M. Hyman, Rubens in Repeat: The Logic of the Copy in Colonial Latin America
Thijs Weststeijn
