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Sander Pinkse

The silence of the mystic lambs: Jan van Eyck and André Cauvin’s film about The mystic lamb (1939)

5 January 201914 March 2018 by Sander Pinkse
Categories 39-1/2

Tobias or not Tobias: a Jesuit visual pun

5 January 201914 March 2018 by Sander Pinkse
Categories 39-1/2

Pieter Bruegel, Bernard van Orley, realism and class

5 January 201914 March 2018 by Sander Pinkse
Categories 39-1/2

Reformation, renovation and commemoration: the religious patronage of a Brabantine lord (Zoutleeuw, 1548–58)

5 January 201914 March 2018 by Sander Pinkse
Categories 39-1/2

Attributing the Berlin Sketchbook to Cornelis Anthonisz

5 January 201914 March 2018 by Sander Pinkse
Categories 39-1/2

Replicating the sanctity of the Holy Face: Jan van Eyck’s Head of Christ

5 January 201914 March 2018 by Sander Pinkse
Categories 39-1/2

The stocklist of Joannes Galle, print publisher of Antwerp, and print sales from old copperplates in the seventeenth century

13 March 2018 by Sander Pinkse
Categories 39-3

The production of prints in France at the time of Hieronymus Cock

13 March 2018 by Sander Pinkse
Categories 39-3

Maurusias & Co.: the influence of Hieronymus Cock’s print series on bookbinding in sixteenth-century Paris

13 March 2018 by Sander Pinkse
Categories 39-3

Hieronymus Cock’s view of Antwerp (1557): its genesis and offspring, from Antwerp to Italy

13 March 2018 by Sander Pinkse
Categories 39-3
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