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Sander Pinkse

Bernhard von Breydenbach and Erhard Reuwich of Utrecht: pioneers in the theory and practice of the lifelike printed image

18 April 201918 April 2019 by Sander Pinkse
Categories 40-4

Hokusai, the old man mad about painting

11 January 2019 by Sander Pinkse
Categories 40-2/3

The seventeenth-century Dutch artist grows old, according to Arnold Houbraken

11 January 2019 by Sander Pinkse
Categories 40-2/3

Senescent and inspiring palettes

11 January 2019 by Sander Pinkse
Categories 40-2/3

Just movement: on the significance and reception of Adriaen de Vries’s painterly manner

11 January 2019 by Sander Pinkse
Categories 40-2/3

Altersstil and Dürer’s drapery

11 January 2019 by Sander Pinkse
Categories 40-2/3

The psychology and neurology of aging and creativity: is there a connection?

11 January 2019 by Sander Pinkse
Categories 40-2/3

Review: François Ier et l’art des Pays-Bas, Paris (Musée du Louvre)

18 May 2018 by Sander Pinkse
Categories 40-1

An unwritten chapter of Dutch collecting history: the painting collection of Pieter de Smeth van Alphen (1753–1809)

18 May 2018 by Sander Pinkse
Categories 40-1

An addition to the Sauli family’s commissions in Bruges: the Genoa Annunciation triptych attributed to Jan Provoost

18 May 2018 by Sander Pinkse
Categories 40-1
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