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Sander Pinkse

Lumière sur La Haye: exploring Marcel Broodthaers’s unfinished film project on Livinus van de Bundt’s photo-painting practice (1962)

10 October 2022 by Sander Pinkse
Categories 44-1/2

East Asian lacquer in the Dutch Republic and Denmark: the early networks of François de Bray

10 October 2022 by Sander Pinkse
Categories 44-1/2

From drawings to comprehensive work of art: a reconstruction of Jacob Jordaens’s Psyche Gallery in his Antwerp house

10 October 2022 by Sander Pinkse
Categories 44-1/2

Skepticism and morality in Jacques de Gheyn II’s Preparation for the witches’ sabbath

10 October 2022 by Sander Pinkse
Categories 44-1/2

A forgotten episode from America’s history of collecting: the rise and fall of art dealer Leo Nardus, 1894–1908

11 April 2022 by Sander Pinkse
Categories 43-4

Van Gogh, Gauguin and Rembrandt: on chairs, portraits and poetry

11 April 2022 by Sander Pinkse
Categories 43-4

Ferdinand Bol’s series for an Utrecht interior reconsidered

11 April 2022 by Sander Pinkse
Categories 43-4

The Atlas on Amsterdam’s Town Hall: the interpretation of a “meaningless bearer of the heavens”

11 April 2022 by Sander Pinkse
Categories 43-4

A word on the origins and significance of the Latin captions on Bruegel’s prints of the Vices and the Virtues

11 April 2022 by Sander Pinkse
Categories 43-4

The Count of Boussu’s Genoese fountain: a work by Niccolò da Corte, Gian Giacomo and Guglielmo della Porta rediscovered in Brussels

11 April 2022 by Sander Pinkse
Categories 43-4
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