Review of Aaron M. Hyman, Rubens in Repeat: The Logic of the Copy in Colonial Latin America 19 June 2025 by Sander Pinkse
Review of Walter S. Melion, Karel van Mander and His Foundation of the Noble, Free Art of Painting: First English Translation with Introduction and Commentary 19 June 2025 by Sander Pinkse
Self-Portrait with Black Headband (1937) by Pyke Koch: A Biographical Interpretation 19 June 2025 by Sander Pinkse
César Domela, Hilla Rebay and Solomon R. Guggenheim’s Temple of Spirituality 19 June 2025 by Sander Pinkse
Newly Discovered Archival Documents About Michiel Sweerts in Brussels in the 1650s: His House, His Social Network and His Encounter with Ghosts 19 June 2025 by Sander Pinkse
Reviews of Pieter Roelofs and Gregor J.M. Weber (eds.), Vermeer and Gregor J.M. Weber, Johannes Vermeer: Faith, Light and Reflection 29 December 2024 by Sander Pinkse
Review of Paul Holberton, A History of Arcadia in Art and Literature 29 December 2024 by Sander Pinkse
