Ensor in the popular imagination: Paul Haesaerts’s film Masques et visages de James Ensor (1952) 17 December 2020 by Sander Pinkse
A “Raphael” set in stone: Henry Ferguson’s Fantasy landscape with St Charles Borromeo in the Rijksmuseum 17 December 2020 by Sander Pinkse
The enterprising Mynken Liefrinck: coloring, printing and selling maps and prints in sixteenth-century Antwerp 17 December 2020 by Sander Pinkse
Ordering reliquary statuettes in Tongeren: a statement amidst religious turmoil 17 December 2020 by Sander Pinkse
Quentin Massys and Jérôme de Busleyden: the textual sources and the likely patron of The moneychanger and his wife 17 December 2020 by Sander Pinkse
Review – Peter Schatborn and Erik Hinterding, Rembrandt: the complete drawings and etchings 1 July 2020 by Sander Pinkse
“Paintings that can give great joy to the lovers of art”: Marcus van Vaernewijck’s notes about art and artists (1568) 1 July 2020 by Sander Pinkse
Under siege: the aesthetics and politics of Michelangelo’s attack on Flemish painting 1 July 2020 by Sander Pinkse
Not Felipe de Guevara, but Wilhelm von Roggendorf: a portrait of a knight attributed to Jan Cornelisz Vermeyen 1 July 2020 by Sander Pinkse
The swan song of Philip of Cleves (1456–1528): innovative tomb sculpture and ducal imagery in the Ravenstein mausoleum 1 July 2020 by Sander Pinkse
