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Sander Pinkse

Patience Incarnate: Re-Reading Caravaggio’s The Taking of Christ

24 June 2026 by Sander Pinkse
Categories 47-1

Cornelis Ketel and His Amsterdam Circle of Friends and Patrons

24 June 2026 by Sander Pinkse
Categories 47-1

The Success of Netherlandish Artists in Spanish Milan: Valerius van Diependale and the Glass Painters of the Fabbrica del Duomo

24 June 2026 by Sander Pinkse
Categories 47-1

Ritual Participation in Netherlandish Priant Tombs, c. 1520–85: From Devotional Self-Fashioning to Community Exhortation

24 June 2026 by Sander Pinkse
Categories 47-1

Carving Clerical Identity in the Serial Tombs of the Churches of Liège

24 June 2026 by Sander Pinkse
Categories 47-1

Review of Stijn Bussels and Bram Van Oostveldt, The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic

19 December 2025 by Sander Pinkse
Categories 46-2

Art and Objecthood in Groningen: Raoul De Keyser, Americanism and the Exhibition Rondom de werkelijkheid, 1970

19 December 2025 by Sander Pinkse
Categories 46-2

Primus inter pares: Edy de Wilde and Collecting Barnett Newman for the Stedelijk Museum in Amsterdam

19 December 2025 by Sander Pinkse
Categories 46-2

Gerard van Opstal’s Grand Manner: A Greek Moment in Paris

19 December 2025 by Sander Pinkse
Categories 46-2

In the Privacy of Friedländer’s Notebooks: The Acquisition of the Monforte Altarpiece

19 December 2025 by Sander Pinkse
Categories 46-2
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