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Sander Pinkse

Artistic practice in two anonymous silversmiths’ drawing books

22 June 2021 by Sander Pinkse
Categories 43-1/2

Venturing an alliance: the optics of graphic linearity

22 June 2021 by Sander Pinkse
Categories 43-1/2

Hendrick Goltzius, Rudolf II, and a new proposal regarding the iconography and patronage of the Hermitage Penwerck

29 March 202222 June 2021 by Sander Pinkse
Categories 43-1/2

A new document on Jan van Eyck: his request for a confessional letter in the Vatican Archives

22 June 2021 by Sander Pinkse
Categories 43-1/2

Durandus on pictures and ornaments in the church

22 June 2021 by Sander Pinkse
Categories 43-1/2

Ensor in the popular imagination: Paul Haesaerts’s film Masques et visages de James Ensor (1952)

17 December 2020 by Sander Pinkse
Categories 42-3

A “Raphael” set in stone: Henry Ferguson’s Fantasy landscape with  St Charles Borromeo in the Rijksmuseum

29 March 202217 December 2020 by Sander Pinkse
Categories 42-3

The enterprising Mynken Liefrinck: coloring, printing and selling maps and prints in sixteenth-century Antwerp

29 March 202217 December 2020 by Sander Pinkse
Categories 42-3

Ordering reliquary statuettes in Tongeren: a statement amidst religious turmoil

17 December 2020 by Sander Pinkse
Categories 42-3

Quentin Massys and Jérôme de Busleyden: the textual sources and the likely patron of The moneychanger and his wife

29 March 202217 December 2020 by Sander Pinkse
Categories 42-3
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