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Sander Pinkse

Machine Art: how Domela gained ground on the American modern art circuit in 1935/36

28 November 2021 by Sander Pinkse
Categories 43-3

Adriaen van Ostade, Frans Hals, and the art-loving Van den Heuvel family

28 November 2021 by Sander Pinkse
Categories 43-3

Maarten van Heemskerck’s two portraits of women spinning

28 November 2021 by Sander Pinkse
Categories 43-3

Finalizing the case for Giannino Arnolfini: new information about the sitter in the Arnolfini portrait and his relation to Van Eyck

29 March 202228 November 2021 by Sander Pinkse
Categories 43-3

The living conditions and social networks of northern Netherlandish painters in Italy, c. 1600–1700: evaluation of  the archival sources

29 March 202222 June 2021 by Sander Pinkse
Categories 43-1/2

Michal: Jan Victors’s women at the window

22 June 2021 by Sander Pinkse
Categories 43-1/2

Artistic practice in two anonymous silversmiths’ drawing books

22 June 2021 by Sander Pinkse
Categories 43-1/2

Venturing an alliance: the optics of graphic linearity

22 June 2021 by Sander Pinkse
Categories 43-1/2

Hendrick Goltzius, Rudolf II, and a new proposal regarding the iconography and patronage of the Hermitage Penwerck

29 March 202222 June 2021 by Sander Pinkse
Categories 43-1/2

A new document on Jan van Eyck: his request for a confessional letter in the Vatican Archives

22 June 2021 by Sander Pinkse
Categories 43-1/2
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