Willem van Mieris’s ornamental easel: the title page for Pieter de la Court van der Voort’s art collection 18 April 2019 by Sander Pinkse
Could this be it? Rembrandt’s Leiden history painting of 1626 depicts Orestes and Pylades before King Thoas in Tauris 18 April 2019 by Sander Pinkse
Contribution to the reconstitution of the altarpiece of Sir Robert Tate (c. 1440–1500) 18 April 2019 by Sander Pinkse
Bernhard von Breydenbach and Erhard Reuwich of Utrecht: pioneers in the theory and practice of the lifelike printed image 18 April 201918 April 2019 by Sander Pinkse
The seventeenth-century Dutch artist grows old, according to Arnold Houbraken 11 January 2019 by Sander Pinkse
Just movement: on the significance and reception of Adriaen de Vries’s painterly manner 11 January 2019 by Sander Pinkse
