Author: Sander Pinkse | Page 11

Attributing the Berlin Sketchbook to Cornelis Anthonisz

5 January 201914 March 2018 by Sander Pinkse

Replicating the sanctity of the Holy Face: Jan van Eyck’s Head of Christ

5 January 201914 March 2018 by Sander Pinkse

The stocklist of Joannes Galle, print publisher of Antwerp, and print sales from old copperplates in the seventeenth century

13 March 2018 by Sander Pinkse

The production of prints in France at the time of Hieronymus Cock

13 March 2018 by Sander Pinkse

Maurusias & Co.: the influence of Hieronymus Cock’s print series on bookbinding in sixteenth-century Paris

13 March 2018 by Sander Pinkse

Hieronymus Cock’s view of Antwerp (1557): its genesis and offspring, from Antwerp to Italy

13 March 2018 by Sander Pinkse

An imaginary visit to The Four Winds, the house and shop of Hieronymus Cock and Volcxken Diericx

13 March 2018 by Sander Pinkse

Hieronymus Cock’s Volck: her family, wealth and anxieties

13 March 2018 by Sander Pinkse

Book review – De l’expertise artistique à la vulgarisation au siècle des Lumières: Jean-Baptiste Descamps

29 November 201726 November 2017 by Sander Pinkse

Jean-Baptiste Descamps was born in 1715 in Dunkerque in the far north of France. His native tongue was Flemish, and it is abundantly clear from the publications that he wrote in French that he regarded himself as a Fleming.

Book review – Vermeer and the masters of genre painting

29 November 201726 November 2017 by Sander Pinkse

The exhibition of Dutch genre painting from the third quarter of the seventeenth century, which opened in February 2017 and will have reached its third and final venue in the National Gallery of Art in Washington by the time this review appears, is certainly one of the most ambitious ever made.