Sander Pinkse

It has become almost a convention among Latin American historians of art to associate infernal imagery of the colonial period (c. 1492–1821) with the phantasmal paintings of the Netherlandish artist Hieronymus Bosch (c. 1450–1516)

Although the Merode triptych in New York’s Metropolitan Museum of Art features in every survey of the northern Renaissance, there is yet to appear an exposition of its complete narrative program.