Lumière sur La Haye: exploring Marcel Broodthaers’s unfinished film project on Livinus van de Bundt’s photo-painting practice (1962) 10 October 2022 by Sander Pinkse
East Asian lacquer in the Dutch Republic and Denmark: the early networks of François de Bray 10 October 2022 by Sander Pinkse
From drawings to comprehensive work of art: a reconstruction of Jacob Jordaens’s Psyche Gallery in his Antwerp house 10 October 2022 by Sander Pinkse
Skepticism and morality in Jacques de Gheyn II’s Preparation for the witches’ sabbath 10 October 2022 by Sander Pinkse
A forgotten episode from America’s history of collecting: the rise and fall of art dealer Leo Nardus, 1894–1908 11 April 2022 by Sander Pinkse
The Atlas on Amsterdam’s Town Hall: the interpretation of a “meaningless bearer of the heavens” 11 April 2022 by Sander Pinkse
A word on the origins and significance of the Latin captions on Bruegel’s prints of the Vices and the Virtues 11 April 2022 by Sander Pinkse
The Count of Boussu’s Genoese fountain: a work by Niccolò da Corte, Gian Giacomo and Guglielmo della Porta rediscovered in Brussels 11 April 2022 by Sander Pinkse
