The Atlas on Amsterdam’s Town Hall: the interpretation of a “meaningless bearer of the heavens” 11 April 2022 by Sander Pinkse
A word on the origins and significance of the Latin captions on Bruegel’s prints of the Vices and the Virtues 11 April 2022 by Sander Pinkse
The Count of Boussu’s Genoese fountain: a work by Niccolò da Corte, Gian Giacomo and Guglielmo della Porta rediscovered in Brussels 11 April 2022 by Sander Pinkse
Machine Art: how Domela gained ground on the American modern art circuit in 1935/36 28 November 2021 by Sander Pinkse
Adriaen van Ostade, Frans Hals, and the art-loving Van den Heuvel family 28 November 2021 by Sander Pinkse
Finalizing the case for Giannino Arnolfini: new information about the sitter in the Arnolfini portrait and his relation to Van Eyck 29 March 202228 November 2021 by Sander Pinkse
The living conditions and social networks of northern Netherlandish painters in Italy, c. 1600–1700: evaluation of the archival sources 29 March 202222 June 2021 by Sander Pinkse
