Review of Stijn Bussels and Bram Van Oostveldt, The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic 19 December 2025 by Sander Pinkse
Art and Objecthood in Groningen: Raoul De Keyser, Americanism and the Exhibition Rondom de werkelijkheid, 1970 19 December 2025 by Sander Pinkse
Primus inter pares: Edy de Wilde and Collecting Barnett Newman for the Stedelijk Museum in Amsterdam 19 December 2025 by Sander Pinkse
In the Privacy of Friedländer’s Notebooks: The Acquisition of the Monforte Altarpiece 19 December 2025 by Sander Pinkse
Review of Aaron M. Hyman, Rubens in Repeat: The Logic of the Copy in Colonial Latin America 19 June 2025 by Sander Pinkse
Review of Walter S. Melion, Karel van Mander and His Foundation of the Noble, Free Art of Painting: First English Translation with Introduction and Commentary 19 June 2025 by Sander Pinkse
Self-Portrait with Black Headband (1937) by Pyke Koch: A Biographical Interpretation 19 June 2025 by Sander Pinkse
César Domela, Hilla Rebay and Solomon R. Guggenheim’s Temple of Spirituality 19 June 2025 by Sander Pinkse
