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Sander Pinkse

Not Felipe de Guevara, but Wilhelm von Roggendorf: a portrait of a knight attributed to Jan Cornelisz Vermeyen

1 July 2020 by Sander Pinkse
Categories 42-1/2

The swan song of Philip of Cleves (1456–1528): innovative tomb sculpture and ducal imagery in the Ravenstein mausoleum

1 July 2020 by Sander Pinkse
Categories 42-1/2

Review – Books by Tatjana Bartsch and Arthur DiFuria on Heemskerck’s Roman drawings

19 March 202019 March 2020 by Sander Pinkse
Categories 41-4

Willem de Kooning at the Stedelijk Museum: Edy de Wilde and the introduction of Abstract Expressionism in the Netherlands

19 March 2020 by Sander Pinkse
Categories 41-4

Evoking a common past: art in the cause of unifying the southern and northern Netherlands, 1815–30

19 March 2020 by Sander Pinkse
Categories 41-4

The idol in Rembrandt’s 1626 Leiden history painting: an addendum

19 March 2020 by Sander Pinkse
Categories 41-4

Rembrandt’s so-called betrothal

19 March 2020 by Sander Pinkse
Categories 41-4

Hendrick Goltzius and the origins of the auricular style or kwab

19 March 2020 by Sander Pinkse
Categories 41-4

Una anotomia cavallesca: Van der Schardt, sculptor in bronze between Bologna and Mantua

17 December 2019 by Sander Pinkse
Categories 41-3

Some technical aspects of the terracotta models from the estate of Johan Gregor van der Schardt

17 December 2019 by Sander Pinkse
Categories 41-3
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